![]() ![]() It first duplicates your original layer and applies the filter to that duplicate, so you can easily undo the effect by hiding or deleting the processed layer. A toggle switch lets you switch between the processed and unprocessed images, and a pop-up menu lets you split the image to see one part of it processed, and the other left alone.Ĭlicking OK processes your image, but Alien Skin has been smart about how Exposure apply its effects. So, for example, for black and white there’s Agfa APX 100, Agfa Scala 200, Fuji Neopan 100, Fuji Neopan 1600, Ilford Delta 100, Ilford Delta 3200, Ilford HPS Plus 400, Kodak Plus-X 125, Kodak T-Max 100, Kodak T-Max P3200, Kodak Tri-X 400, and Tri-X 400 pushed either 1 or 2 stops (Figure 2).įigure 2: Exposure’s black and white presets.Ĭlick any of these presets, and Exposure generates a preview that shows you what your image would look like processed with those settings. For both black and white and color, Alien Skin has provided presets for all of the most popular film types. For most users, these will probably suffice, thanks to the extensive selection of presets that ship with Exposure. Click on the image for a larger version.Įxposure’s Settings tab shows a collection of presets. Exposure 2’s interface provides a large preview, and tabbed controls. The Exposure interface is in a single window that provides a big, zoomable preview of your image, and a tabbed panel containing sliders and other controls (Figure 1).įigure 1. There are two Exposure filters: one simulates black and white film, and another simulates color film. To use Exposure, open the image you want to process in Photoshop, then choose Filter > Alien Skin Exposure 2. On Windows (XP or later), there’s also support for Corel Paint Shop Pro Photo XI. On the Mac, the Leopard-ready Exposure 2 is compatible with Adobe Photoshop CS2 or later, Adobe Photoshop Elements 4.0.1 or later, and Adobe Fireworks CS3. ![]() But even if you’ve never shot film, these plug-ins are handy for black and white shooting, since they provide high-quality automatic black and white conversions.īoth plug-is have their strengths and weaknesses, and which one - if either - is right for you depends on what types of images you like to shoot and how much you’re willing to spend on a plug-in. If you want to stay in the digital realm but still want the look of specific film stocks, two Photoshop plug-ins, Alien Skin Exposure 2 ($249) and Imagenomic’s Real Grain ($99.95), provide easy-to-use tools that let you mimic the tone, color, detail, and grain qualities of particular film stocks.įor people with experience choosing particular film stocks to achieve certain looks, the presets provided by both of these products give you a quick way to exploit your film background. Different film stocks have their own characteristic clumping that varies in amount and pattern. If you’re more familiar with digital photography than film photography, you may not know about grain: visible clumps of silver halide crystals on a piece of film. ![]()
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